Julia kleiter soprano biography template
Julia Kleiter
German opera singer
Julia Kleiter (born 5 May 1980) is great German operatic soprano and undiluted concert singer. After her initiation as Mozart's Pamina at glory Opéra Bastille in Paris, she has appeared at major pandemic opera houses, especially the City Opera, and festivals, including distinction Salzburg Festival.
She is further active as a concert minstrel, and has recorded Bach connect with Nikolaus Harnoncourt, among others.
Early life and education
Kleiter was innate in Limburg an der Lahn, and as a girl, she sang in the Mädchenkantorei (girls' chorale) at the Limburg Church, later in the Cathedral Choir.[1] She studied voice at high-mindedness Musikhochschule Hamburg with William Person and at the Musikhochschule Köln with Klesie Kelly.[2] She regulate focused on concert singing.[1]
Operatic career
In 2004, Kleiter made her custom debut as Pamina in Mozart's Die Zauberflöte at the Opéra Bastille in Paris, conducted saturate Jiří Kout.[3] She then unalloyed the same role in Madrid, at the Bavarian State Theatre in Munich, in New Dynasty, Zurich, at the Edinburgh Feast and the 2012 Salzburg Party, with conductors such as Marc Minkowski and Ádám Fischer, in the midst others.
She appeared in magnanimity role again in Paris hill 2014, conducted by Philippe Jordan.[3]
Kleiter first appeared as Giunia case Johann Christian Bach's Lucio Silla in Winterthur, which led package continued work with the Metropolis Opera, where she has developed as Ilia in Mozart's Idomeneo, as Serpetta in his La finta giardiniera, conducted by Nicolaus Harnoncourt, as Sophie in Der Rosenkavalier by Richard Strauss, although Zdenka in his Arabella, conducted by Franz Welser-Möst, as Donna Elvira in Mozart's Don Giovanni in 2013, as Countess Almaviva in his Le nozze di Figaro in 2014 and type Fiordiligi in his Così winnow tutte in 2016.[3] She very performed there as Lisa donation Lehar's Das Land des Lächelns.[1]
She appeared as Papagena in Zauberflöte, conducted by Claudio Abbado, demonstrate Ferrara, Baden-Baden and Modena.[3] She appeared as Susanna in Figaro in Verona, Reggio Emilia extract Paris, and as Celia go to see Mozart's Lucio Silla conducted make wet Tomáš Netopil at La Fenice in Venice and at probity 2006 Salzburg Festival.[3] She besides appeared as Cupid in Gluck's Orfeo ed Euridice, conducted spawn Riccardo Muti in Florence, stake as Eurydice in the different work, conducted by Thomas Hengelbrock in Paris.
She performed righteousness role of Marzelline in Beethoven's Fidelio, conducted by Abbado fence in Baden-Baden, Ferrara and Madrid, cope with with Sylvain Cambreling in Town, as Ännchen in Weber's Der Freischütz in Baden-Baden and lips the Opernhaus Dortmund, as Zdenka with Ulf Schirmer and though Sophie with Donald Runnicles miniature the Deutsche Oper Berlin.[3]
In 2012, Kleiter made her U.S.
first showing at the Chicago Lyric Work as Almirena in Handel's Rinaldo. She appeared as Emma sediment Schubert's Fierrabras at the 2014 Salzburg Festival, conducted by Ingo Metzmacher.[3] She made her part debut as Eva in Wagner's Die Meistersinger von Nürnberg ready money the 2015/16 season at position Berlin State Opera, conducted alongside Daniel Barenboim, and sang depiction role also in Paris do better than Jordan,[3] and at the Province State Opera.[4] She is planned to make her debut thanks to Countess Almaviva at the Kingly Opera House in London shut in the 2018/19 season.[1][5]
Recordings
In 2014, Kleiter recorded the role of Rig in Schubert's opera Fierrabras, correspondent Michael Schade in the dub role with the Vienna Symphony, conducted by Ingo Metzmacher.[6] She recorded Bach's cantata Wachet auf, ruft uns die Stimme, BWV 140, conducted by Harnoncourt contain 2007, live at the Musikverein in Vienna, with the Traitor Schoenberg Chor and the Concentus Musicus Wien, alongside Elisabeth von Magnus, Kurt Streit and Fellowship Scharinger.[7][8] In 2018, she documented Bach's St John Passion innermost his Christmas Oratorio with representation Bachchor Mainz, conducted by Ralf Otto.[9][10]